His complete and varied training has passed through composers such as Manuel Seco de Arpe, Leonardo Balada, Manuel Martínez Burgos, Zulema de la Cruz, Eneko Vadillo and Carlos Perales among others. He is also trained in Composition for audiovisual media by Eduardo Armenteros, Alejandro Román, Jose Nieto, Jorque Magaz and Imanol Uribe. His music is found in audiovisual projects such as: "La limitación de la palabra", music for a musical short film or in the project "The Climate Puppets" being shown in venues and festivals such as: Sehsüchte Film Festival (Potsdam, Germany) on (26 / 4/2017), Cinema Aquila (Rome, Italy) on (8/5/2017), 20th Environmental Film Festival Cinemambiente (Turin, Italy) on (1/6/2017), auditorium “Wappensaal” of the city council of Vienna (Austria) on (28/6/2017) and on television on RTVE in the program "The adventure of knowledge" on (27/9/2017).
In his compositions we also find the use of electroacoustic technology and music, some examples are: “Puros y Salvajes”, work for Symphonic and Electroacoustic Band or “In Articulo Mortis” for classical and electroacoustic orchestra.
Member of the General Society of Authors (SGAE) since 2016 in whose catalog we can mention that there are a wide variety of styles and instrumental formations including solo concerts, works for large groups, chamber works, solo instruments, vocal music, among others. Among his catalog it is worth mentioning the works "Stretto Modale" for Classical Orchestra in which compositional procedures are the subject of a deep research work carried out on the comparison of modes within the mathematical theory of sets in equal temperament, (2018) , and the work "The Seven Trumpets of the Apocalypse", musicalization of said part of the apocalypse performed for a great Orchestra, piano, organ, choir, soloist tenor and soloist baritone, (2018).
He also develops his activity as an orchestrator having worked with a team of composers for the orchestral adaptation of the musical “A Little Night Music” by Stephen Sondheim for his performance at RESAD, May 2017.
Premieres and projects:
“Landscape 1” for Flute, Clarinet, Saxophone, Violin, Cello and Piano, premiered by the Sax-Ensemble Group at the Royal Academy of Fine Arts in San Fernando (11/15/2019).
"Olé" for duo, premiered by the Duo Palmia at the VIII National Clarinet Congress (11/02/2019).
"Va por ti Badía" Classic duo Sonata, premiered by the Duo Palmia at the VIII National Clarinet Congress (11/02/2019).
"Where the adas live" for Orchestra, premiered by the Madrid Philharmonic Orchestra (06/25/2019).
“Canto a la Vida” for Tuba, Sax, Trombone, 5 percussionists, Txalaparta and Electroacoustic, premiered in Room 400 of the Museo Reina Sofía on (6/6/2018).
"Before and After" for two guitars and electroacoustic released at the Manuel de Falla Auditorium, (9/6/2017).
“Alma” music for an animated short film projected for the first time at the RCSMM Manuel de Falla Auditorium (6/6/2017).
"En lo alto de los jardines de MONTFORTE " for string orchestra performed by the RCSMM string orchestra in the Manuel de Falla auditorium (5/21/2017).
“Project Alarm” music for an animated short film at the XIV SGAE Sound and Music Workshop for Cinema, projected in the Manuel de Falla, auditorium of the SGAE (Madrid, 01/20/2017).
“An American Dream” metal wind quintet recorded by RCSMM metal wind professors in (2016).
"Where sax?" Woodwind quintet performed in the Manuel de Falla room of the RCSMM in (2015).
“Anthem of Atlético de Tarazona de La Mancha” commissioned the musical Hymn by the Atlético de Tarazona de La Mancha Soccer Club in (2013).
“Waltz” for a saxophone quartet performed by the Sax Quartet School group in the Asunción de Albacete center (2013).
“Credits” an orchestral fantasy performed by the Band of the Royal Professional Conservatory of Albacete in the Auditorium of that city (2012).
Other works:
“The door to the magic kingdom” for string quartet, in this work we highlight the dialogue between the instruments, constituting a work well framed in chamber music (2016).
"Autumn Leaves" for String Orchestra worked with the supervision of Leonardo Balada, (2017).
“Textures” for 2 flutes, 1 oboe, 1 clarinet, 1 bassoon, piano, 2 violins, 1 viola and 1 cello, where the use of texture as the main character is significant in this work, (2018).